I also got a book on Jack Kirby by Mark Evanier (which has the only cover that it should have - a giant fist punching you in the face, like you're being chinned by brilliance.) When I was a kid reading comics, I was never really into Kirby all that much - and when I saw his stuff it always seemed to chunky and big and unnaturalistic and weird. But as I got older, all of those things suddenly became more and more appealing and the sheer scale of Kirby's imagination became apparent. I love his 70s stuff especially, or what I've seen of it - comics where he was editor, writer and artist all at once, and got to create entire worlds. Stuff like OMAC - 'One Man Army Corps', set in 'The World That's Coming', a dystopian future where you can buy a girlfriend in a box, the super-rich hire cities to play assassination games in and, if you're OMAC, you can punch 10 people in the face at once.

'THIS IS WHAT HAS HAPPENED:GIANTS HAVE COME FROM SPACE TO BEGIN A FIFTY YEAR JUDGEMENT OF ALL THAT LIVES ON EARTH! THEY PROWL THE PLANET...THEY PROBE THE OCEANS...THEIR AWESOME VESSEL ORBITS ABOVE US LIKE A COSMIC SENTRY...
THIS IS WHAT IS HAPPENING: HUMANS EVERYWHERE ARE REACTING TO THIS...AND MORE!! WE SHARE OUR PLANET WITH TWO FANTASTIC SPECIES--THE IMMORTAL ETERNALS AND THE SCHEMING DEVIANTS WHO MUST FACE THIS WITH US!
THIS IS WHAT IS GOING TO HAPPEN: HUMANS WILL STRIKE FIRST!!'
Now that's how you write an attention-grabbing opening.)
I also love Kamandi, another dystopian future (actually linked to the one in OMAC), where, in a scenario slightly influenced by a very popular 70s film series, TALKING ANIMALS HAVE TAKEN OVER THE WORLD AND HUMANS ARE THEIR BEASTS OF BURDEN!! What I especially love about all these comics is the fact that everything is so BIG - big ideas, big splash pages, big stakes - and especially Big Close-Ups









Man, Kirby did great freak-out faces. I mean, just look at the guy in the bottom left corner of this two-page spread.

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